Back to the Drawing Table

 Sunday, March 10, 2013
Women's Art: A Conversation with Elizabeth Ostrander and Shanna Wheelock
3:00 p.m.at the Eastport Arts Center
36 Washington Street, Eastport, Maine
Click here for Shanna Wheelock's website.
Click here Elizabeth Ostrander's website
Click here for the Eastport Art Center website.

 

 

Thursday, March 21, 2013

Machias Women's Forum

5:30-8:00 p.m.

Helen's Restaurant, Machias, ME

Presenters: Shanna Wheelock, Elizabeth Ostrander, and Sherry Ashby Cunningham

Topic: How Spirituality informs and inspires our artwork

Save the date and check back for more info.

 

 

Been drawing images of "Factory C" 

(Shanna Wheelock, Lubec, Maine)

 

 

Factory C

(Lubec, Maine)

 

 

Interior View of "Factory C"

(Shanna Wheelock, Lubec, Maine)

 

Photo of "Factory C"

(Lubec, Maine)

 

Back in early college years my ceramics professor told me that being able to draw is a critical skill, even for a potter. Though I enjoyed drawing I fumbled around quite a bit. The fine arts program leaned on the heavy side of drawing credits and for that I am thankful. From those years I developed a love of figure drawing and conte. Drawing for me, though, is one of those things that gets put to the side when there are dozens of mugs or a sculpture needing to be done. I do genuinely love to draw, and just as with weaving or clay work, I can get lost for hours in shading and line.

 

Soon after I visited the ruins at Factory C, I knew that I wanted to draw the images that were burned so deeply in my mind. What I didn't account for was that it had been at least three years since I had picked up a drawing tool to do a serious drawing.

 

I was a bit apprehensive as my logical self laid out ideas for matching paper sizes and a grouping of drawings all executed in one material. I soon realized that I was far more rusty with my drawing skills than previously thought. A few rough starts in pencil then grumblings with shading and tendencies toward detail even thought the material was not well suited for that, I forged onward. A mix of pleasure and pain, if you will. I eventually got into my groove and reminded myself that I don't need to have it all figured out before the first line is even drawn.

 

Four drawings later, I am starting to find my zone and zero in on what I'd like to do. The first few drawings are like getting back to the wheel after a few months away. At first it feels awkward but eventually the hands remember the right pressure and speed. Drawing is meditative in the same was as clay or fiber, and messy in its own right.

 

I plan to use the drawings as a means to an end. They will be studied, dissected, enlarged, then transferred in some fashion. Right now I just catch glimpses of a plan in mind's eye. As with most of my projects, I don't know the end result until I know the end.

 

Drawing can be addictive but right now I have quite a few things to juggle so that obsession will have to be squeezed into allotted blocks of time over the next few weeks. I just spent the past two weeks fully immersed in the factory study from clay work to drawing, ruin site visits, time at the library, and online research. I took a small hiatus from the bulk of meetings that I normally attend and other semi-social functions for that focus, but the roster is once again full and I am at that moment in the calendar year where I take a deep breath, hold up my feet, and move full steam ahead. The next few months until January 2014 are blocked with commissions, vending, stocking shops, speaking engagements, workshops, MFA classes, farmer's market, and community work with Lubec Arts Alive and (newly added) committee work for the Schoodic International Sculpture Symposium project.  (YES! It looks like Lubec, in most high probability, will be one of the 2014 sites! I'll post updates as I know them.)

 

Happy Birthday Mom!

 

 

We just returned from the Samoset where we celebrated my mom's 70th birthday with a lovely evening out on the town. The visit was too short but ended on a fun note with mom and Chris singing all kinds of songs from the 50's. Let's just say that Elvis was one of the faves and when the first line of Hound Dog began the two of them were twisting across the room while belting out the lyrics. It sure was a sight! I hope that I am this energetic and free-spirited at seventy. Crossing my fingers those genes are well ingrained. Thanks, Mom, for forty three years of unconditional love and nurturing, and thank you for being such a wonderful guide and supporter of my artist self.

 

In the downeast area this coming weekend?

 

Sunday, March 10, 2013

Women's Art: A Conversation with Elizabeth Ostrander and Shanna Wheelock

3:00 p.m.at the Eastport Arts Center

 

While I was in Rockland and tooling around the streets, I came upon this lovely mermaid resting contently in a window box along Main Street. This is the work of Elizabeth Ostrander, an Eastport artist with whom I will share the stage this coming Sunday as we present a talk at the Eastport Arts Center.

 

Mermaid by Elizabeth Ostrander

 

 

 

 

 



 

 

 

On the Road Again

Claudette Gamache, pastel painter, shares some her techniques with us during the MFA Weekend Seminar at Heartwood College of Art.
Photo by Bonnie Faulkner

It's amazing to see a pastel painting from the beginning (note red/orange base layer in previous photo) to the near finished creation. What a transformation!
Above: Pastel Landscape by Claudette Gamache.

Photo by Bonnie Faulkner

Back in Lubec in my own studio, I have begun encaustic painting on the surface of my "chakra pods". This six-part sculpture is far from done....Check back later on for the finished work!

While packing sake sets for a gallery, Bouli thought it might good idea to pack herself in a box.

New gallery, IRONBOUND, located at 37 Bayview Street, Camden, will be carrying my pottery work. It's an amazing two-floor space and I am excited to be on board! (due to open Spring 2012)

IRONBOUND owner, Joy Armbrust, shows off her enthusiasm for power tools and the remodeling process in her new Camden gallery. I think you can tell from this picture that she exudes much optimism, gratitude and "joy" for this new adventure.


ANNOUNCEMENT
Lubec Arts Alive
A short film by noted filmmaker Jon Wing Lum
depicting a community-inspired week of art

Mural painted during Lubec Arts Alive 2009 under the direction of Natasha Mayers, located at the Lubec Historical Society. Funded in part by a grant from the Maine Humanities Council and the Maine Arts Commission. Photo by Goodman/Van Riper Photography.

Featuring
Union of Maine Visual Artists and the People of Lubec

Tune in to watch it on ABC TV
Sunday, March 25th, 3:00 PM
Airing on WVII out of Bangor
Warner Brothers Channel 8, Dish or Satellite Channel 7
Viewing area Rockport to E. Millinocket / Oakland to Machias

This 36 minute film documents the one week residency of thirteen artists in Lubec, Maine to "art-up" the town. Artists including Robert Shetterly, Natasha Mayers, and Kenny Cole, Rose Marasco, and Richard Brown Lethem joined Lubec community members to create a history mural and installation art for businesses. Over thirty portraits of local personalities were created and oral histories documented.

"Lum's film is a poignant portrayal of artists, art making, and sense of place in a small town during the summer of 2009."

I missed a week of blogging and am now "on the road again" trying to sneak in an hour or so to get my thoughts down on paper. Well, not paper. Keyboard and screen more like it. The past two weeks have flown by with lots of excitement but at the same time, have offered me some peaceful and relaxing moments. I am attempting to bring more non-work time into my life. It is a challenge, but am learning that pacing the self will work best in the end. The rabbit and the hare, right?

This weekend I am enjoying two nights at the Samoset Resort in Rockland. Things are hopping here with the annual Fisherman's Forum. I am not here for the forum, but the lively energy is all around us. Last night Chris and I peeked our heads into the ballroom where an auction was in progress. Not the typical auction, mind you. Rain gear and lobster traps were the coveted items, complete with an auctioneer who boasted a thick downeast Maine accent!

This morning I delivered work to a new gallery that is opening later this spring. IRONBOUND, housed in a gorgeous brick building in downtown Camden, will be a primarily sculpture space. The owner, Joy Armbrust, is a real pleasure to work with. It is evident that she is passionate about art and her journey has been an interesting one for sure. I look forward to this new adventure and partnership.

Last weekend I was in Kennebunk for our MFA weekend seminar at Heartwood College of Art. These weekend residencies fill the soul. I am fortunate to move along in a pod with a group of other women artists/teachers who are passionate about art and the art process. The roundtable conversations are deep and inspiring, the food filling, and the hands-on workshops offer up lots of great techniques that can be transferred to both the studio and the classroom. I feel so incredibly honored to be in the midst of such strong and focused women.

This semester we had the privilege of learning under pastel painter Claudette Gamache. Her talent with pastels and her patient, nurturing, and intuitive teaching style made for a wonderful first-pastel experience for me. I love to draw and am quite comfortable with oil pastel, charcoal, pencil, and conte, but the color and soft powdery, lush, sticks of pigment were a new experience and I feel a bit more comfortable with the material than I did before the workshop. There is much more to the process than one would expect - but those steps that I had never seen demonstrated before made handling of the material a much more confident experience.

The next three months will go by quickly as I juggle a myriad of projects. I am in production for the spring season and preparing to have my pottery at three or four new venues this summer. Teaching at school gets wild in the spring, too. Projects' Night is just over two months away and there is lots to be accomplished in the classroom before the big student art show goes up. A new website is in the works, too, and requires a hefty amount of rewriting and photo shoots.

I am in the process of researching the factory industry in Lubec and find myself enthralled by all the old photos and the images of huge buildings and a bustling downtown. These factories, for the most part, do not exist anymore. Barely any evidence other than remnant foundations or photos. I am creating an installation sculpture based on the factories, planned to show in June 2012. It will be months of work for about three weeks of display, but I am excited since this will be my first installation-type piece. I have been thinking about it for the past few months and the physical part of the project is just beginning. I have easily a couple hundred hours of work ahead of me and know the clock is ticking. I still am trying to get my head around the "how-to". There is some compromise between what I would like to do and what is feasible. But, this is a beginning, and in every new process, I learn a bit more to take to the next project. I have always had some sort of connection to buildings and feel incredibly sad when I see a building heading toward its demise. I am in a way sensing the pain and loss of our community for these buildings that once existed. Not only was a means of employment and stability lost, but also a sense of identity. My installation sculpture will touch on just one tiny detail in a two-hundred year history.

Tonight we wine and dine Mom amidst birthday cheer. I am not even sure how old she is. We kind of lose track of the numbers as we get older. I am expecting lots of laughter tonight and some majorly satisfied salivary glands. Soon Chris and I trek back to Lubec to sequester ourselves into our respective creative spaces. The cats will no doubt be bent out of shape over our two night disappearance. Hopefully some tuna and catnip will remedy the situation in a timely manner.